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The BFI’s New Film on the Film Festival Is a Celluloid Fetishist’s Dream

The BFI’s New Film on the Film Festival Is a Celluloid Fetishist’s Dream

The 2023 proceedings will feature a bevy of classics projected on the good ol’ 35mm, 16mm and 70mm.

Viewers like to throw around the term “movies,” but the fact remains that most of the movies we watch would be more accurately described as videos. Whether in the world of online streaming or the digital cinema package format used for computerized projection at most cineplexes, the once-powerful filmstrip sees little use outside of repertory screenings arranged by passionate programmers.

As a tribute to the beautiful skill of celluloid film in true sense, BFI has announced a new film at the first of its kind film festival in the UK over the next four days. As the title suggested, the program will be composed exclusively of archival prints from BFI’s collection, a lineup that ranges from 16 mm (a cheap, grainy stock primarily reserved for industrial shorts), 35 mm (silver). screen standard). , and 70 mm (larger, brighter, and more spectacular). At the moment, 8mm enthusiasts seem to be out of luck.

While the full lineup of films will not be announced until next year, the BFI’s official press release assures that it will include a mix of new and vintage prints, some deep enough in institutional vaults that they would never see the light otherwise. The day cannot be seen in any other way. The release notes some of the current filmmakers involved with shooting 35mm – Christopher Nolan, Mark Jenkin, and Greta Gerwig to name just a few – perhaps as an indication that the obscure selection has recently been in the marquee space with more popular prints. Will share title.

No matter how low-stakes they may be, the cinema culture wars have found an important front in the debate over analog projection, which has been portrayed by its opponents as an abhorrent privilege limited to those able to live in or commute to metropolitan areas. Is. Those defending the film have noted that appearances in the film are the cheapest means of public entertainment, and that many people with varying levels of disability still manage to make it to the theatre, and that a movie-watcher does not require an advanced degree or a state-issued critical license to appreciate the physical warmth and intimacy of celluloid.

Even if that doesn’t convert skeptics, the film on the film series will offer a crash course in cinema appreciation for curious neophytes and a feast of new wonders that bring something new to even the most seasoned bagmen. Soon, everyone will know the quintessential joy of settling in your seats as the lights dim, listening to that telltale vibe you can’t get anywhere else.

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Reference from lwlies.com

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