Thor: Love and ThunderThe sequence of “Shadow Realm” features some brand new behind-the-scenes photos. Spoke to Visual Effects Supervisor Jake Morrison before and after About to get that dramatic lighting in order. But, the sequence was much more than some incredible saturation. Visualizing the vicinity of a small moon also proved challenging. Waititi’s movies end with scene flourishes and this one was no different. when . first trailer for love and need Hitting the internet, fans were blown away by the black and white sequence without seeing the entire finished product. Most reviews of the project made it a point to mention the Shadow Realm sequence as one of the highlights of the film. But, hearing about how much work has been done in these elements is nothing short of shocking. Check out some facts here.
“We shot with a progression on the lighting that we did for the last photo, the one from the satellite lab that we used for the flashbacks to Valkyrie Thor: Ragnarok, ” revealed Morrison. . You’re lighting with a keylight and fill for each angle simultaneously, but instead of being a constant source of them you effectively turn these lights into strobe lights.”
A Brand New Lighting Rig Helped Make That Beautiful Black and White Moon Sequence in ‘Thor: Love and Thunder’ Possible –> THIS NEW @beforesmag Articles with VFX Super @jakegoat discusses the work of Moon of Shame and the VFX art and technique behind it https://t.co/CM94St6SLu pic.twitter.com/62qRatJYwp
— Before & After Magazine (on SIGGRAPH!) (@beforesmag) 10 August 2022
“Then, when you shoot your actors, you shoot with an incredibly high-speed camera. But, instead of having a single strobe light per frame, as we used in Valkyrie flashbacks, now You’re using huge banks of 50 or 60. Industrial-level strobes, which are lights that can be controlled within milliseconds,” he said. “I’m not kidding when I say this – we’ve drained the planet of this particular kind of light. At one point I had our gaffer, Reg Garside, saying, ‘I think I should be in Iceland. I got two more…’. So we gathered these lights, then built these big six light banks around the sound stage at Fox Studios in Sydney.”
Here’s how ComicBook.com’s Jenna Anderson describes Marvel’s latest galloping adventure: “Thor: Love and Thunder of course there is a change of pace, even if compared Thor: Ragnarok, Phase Four of the MCU, or even the larger tapestry of superhero adaptations. The film’s heartfelt and reverent core feels perfect for its crop of characters and the current cultural moment, but that perfection is hindered by bizarre structural choices and inconsistent CGI. Sometimes, that shit only adds to the allure of love and need and its incomplete crop of characters, but it keeps the film from becoming another game-changing entry within the MCU. Luckily enough Thor: Love and Thunder manages to charm and delight — especially its stellar ensemble cast — to still make it a worthwhile encore.”
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Reference from comicbook.com