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Who are nominated for the Silver Condors

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Who are nominated for the Silver Condors

The Affiliation of Cinematographic Cronistas de Argentina introduced the nominations for the 69th version of the Silver Condor Awards, which distinguish the perfect of the nationwide manufacturing of the yr 2020 launched in cinemas or by the varied platforms out there within the nation.

Household crimes, by Sebastián Schindel, and Loss of life doesn’t exist and neither does love, by Fernando Salem, are essentially the most nominated movies, with 11 nominations every. They comply with her The thousand and one, by Clarisa Navas, and Siamese, by Paula Hernández, with 8.

Behind are positioned The theft of the centuryby Ariel Winograd, and The pork, by Franco Verdoia, with 7. For his half, We are going to by no means dies, by Eduardo Crespo, and Everlasting plant, by Ezequiel Radusky, have 5 nominations every, and The hunter’s silence, by Martín Desalvo, harvest 4.

Family Crimes, By Sebastián Schindel.  Photo Clarín Archive

Household Crimes, by Sebastián Schindel. Photograph Clarín Archive

Bernarda is the homelandby Diego Schipani; Non-public fictionby Andrés Di Tella; Cage rains, by César González; Woman mother, of Andrea Testa; Y Vicentaby Darío Doria; They’re measured by the Silver Condor for Greatest Documentary Function.

For the second consecutive yr, the Greatest Movie in co-production with Argentina shall be awarded. The candidates are: Spiderby Andrés Wooden (Chile); Black ashby Sofía Quirós Úbeda (Costa Rica); Lina from Limaby María Paz González (Chile – Peru); Nasha Natashaby Martín Sastre (Uruguay); I am scared bullfighterby Rodrigo Sepúlveda (Chile-Mexico); Y The dying will come and it’ll have your eyesby José Luis Torres Leiva (Chile).

From this version three new recognitions shall be awarded. The María Luisa Bemberg Award to an excellent girl within the audiovisual business, the Leonardo Favio Award to a related male character and the Salvador Sammaritano Award to a movie critic who is just not a part of ACCA.

Sebastián Wainraich In The Series &Quot;Almost Happy&Quot;.  Netflix Photo

Sebastián Wainraich within the collection “Almost Happy”. Netflix photograph

The Silver Condors will award in an unbiased ceremony to the collection and telefilms broadcast on tv or digital platforms. As a result of well being disaster, for this yr, each deliveries shall be unified into one to be held within the final quarter of the yr if the scenario permits it.

The fiction and / or documentary collection nominated for this primary version are Carmel, who killed María Marta? (Netflix); Nearly completely happy (Netflix); President (Amazon Prime Video); Migrant tales (UN3TV); Survival Information (Movistar +); Y Break every thing: The historical past of rock in Latin America (Netflix). As well as, the perfect feminine and male efficiency and the perfect path shall be awarded.

For this supply, a complete of 170 Argentine movies launched between January 1 and December 31, 2020, had been evaluated, each in film theaters and thru the totally different private and non-private streaming platforms and tv channels.

ALL NOMINEES

Fiction film

The Siamese, By Paula Hernández.  Photo Clarín Archive

The Siamese, by Paula Hernández. Photograph Clarín Archive

  • Household Crimes, by Sebastián Schindel
  • La chancha, by Franco Verdoia
  • Las Mil y una, by Clarisa Navas
  • The Siamese, by Paula Hernández
  • Everlasting plant, by Ezequiel Radusky

Documentary movie

  • Bernarda is the homeland, by Diego Schipani
  • Non-public fiction, by Andrés Di Tella
  • Cage Rain, by César González
  • Mama Woman, by Andrea Testa
  • Vicenta, by Darío Doria

Debut

La Chancha, By Franco Verdoia.  Photo Clarín Archive

La chancha, by Franco Verdoia. Photograph Clarín Archive

  • Canela, by Cecilia del Valle
  • The Grasp, by Cristina Tamagnini and Julián Dabien
  • La chancha, by Franco Verdoia
  • Mama mama mama, by Sol Berruezo Pichon-Riviére
  • Everlasting plant, by Ezequiel Radusky

Movie in co-production with Argentina

&Quot;Lina De Lima&Quot;, By María Paz González.  Photo Clarín Archive

“Lina de Lima”, by María Paz González. Photograph Clarín Archive

  • Araña, by Andrés Wooden (Chile)
  • Black ash by Sofía Quirós Úbeda (Costa Rica)
  • Lina de Lima, by María Paz González (Chile – Peru)
  • Nasha Natasha. by Martín Sastre (Uruguay)
  • I am afraid of a bullfighter, by Rodrigo Sepúlveda (Chile-Mexico)
  • Loss of life will come and may have your eyes, by José Luis Torres Leiva (Chile)

Ibero-American movie

&Quot;Bacurau&Quot;, By Kleber Mendonca Filho And Juliano Dornelles (Brazil).  Photo Clarín Archive

“Bacurau”, by Kleber Mendonca Filho and Juliano Dornelles (Brazil). Photograph Clarín Archive

  • Bacurau, by Kleber Mendonca Filho and Juliano Dornelles (Brazil)
  • The award, by Paula Markovitch (Mexico)
  • I stay up for your (re) return, by Eliza Capai (Brazil)
  • No person is aware of I am right here, by Gaspar Antillo (Chile)
  • I am not right here anymore, by Fernando Frías de la Parra (Mexico)

Brief fiction

  • The recent zone, by Esteban Lamothe
  • The credentials, by Manuel Ferrari
  • The Shadows, by Paulo Pécora
  • Distant Mild, Half 1: Les desventurades, by Santiago Reale
  • Pinball, by Nicanor Loreti

Brief documentary

  • Authorized abortion now, by Eleonora Ghioldi
  • Tribute to the work of Philip Henry Gosse, by Pablo Martín Weber
  • The Lily Vendor, by Igor Galuk
  • My different son, by Gustavo Alonso
  • Fireplace devoured us, by Lucía Granda

Deal with

Andrea Testa.  Reuters Photo

Andrea Testa. Reuters photograph

  • Eduardo Crespo for We are going to by no means die
  • Paula Hernández for The Siamese
  • Clarisa Navas for The Thousand and One
  • Sebastián Schindel for Household Crimes
  • Andrea Testa for Woman mother

Main actress

Cecilia Roth In The Film Family Crimes On Netflix.  Photo Clarín Archive

Cecilia Roth within the movie Household Crimes on Netflix. Photograph Clarín Archive

  • Rosario Bléfari for Everlasting Plant
  • Rita Cortese for The Siamese Ladies
  • Romina Escobar for We are going to by no means die
  • Liliana Juárez for Everlasting Plant
  • Valeria Lois for The Siamese Ladies
  • Cecilia Roth for Household Crimes

Main actor

Diego Velazquez.  Photo Efe

Diego Velazquez. Photograph EFE

  • Rodrigo de la Serna for Looking out
  • Esteban Meloni for La chancha
  • Diego Peretti for The Theft of the Century
  • Carlos Portaluppi for The Dose
  • Diego Velázquez for The Trainer

Supporting Actress

Yanina Avila.  In &Quot;Family Crimes&Quot;.  Netflix Photo

Yanina Avila. in “Family Crimes”. Netflix photograph

  • Yanina Ávila for Household Crimes
  • Gladis Florimonte for La chancha
  • Sofia Gala for Household Crimes
  • Susana Pampín for Loss of life doesn’t exist and neither does love
  • Lorena Vega for The Dose

Supporting actor

Diego Cremonesi.  Photo Germán García Adrasti

Diego Cremonesi. Photograph Germán García Adrasti

  • Benjamín Amadeo for Household Crimes
  • Juan Barberini for The Hunter
  • Diego Cremonesi for Household Crimes
  • Gabriel Goity for La chancha
  • Osmar Núñez for Loss of life doesn’t exist and neither does love

Feminine revelation

Antonella Saldicco Stars In &Quot;Death Does Not Exist And Neither Does Love&Quot;.  Photo Clarín Archive

Antonella Saldicco stars in “Death does not exist and neither does love”. Photograph Clarín Archive

  • Sofía Cabrera for The Thousand and One
  • Ana Carolina García for The Thousand and One
  • Carla Gusolfino for Las motitos
  • Antonella Saldicco for Loss of life doesn’t exist and neither does love
  • Morena Yfrán for Beneath my brown pores and skin

Male revelation

Agustín Sullivan, In &Quot;Death Does Not Exist And Neither Does Love&Quot;.  Photo Clarín Archive

Agustín Sullivan, in “Death does not exist and neither does love”. Photograph Clarín Archive

  • Juan Pablo Cestaro for The Hunter
  • Renato Quattordio for Yo, adolescent
  • Rodrigo Santana for We are going to by no means die
  • Julián Sorín for Tomy’s pocket book
  • Agustín Sullivan for Loss of life doesn’t exist and neither does love

Authentic screenplay

  • Eduardo Crespo, Lionel Braverman and Santiago Loza for We are going to by no means die
  • Francisco Kosterlitz for The Hunter’s Silence
  • Clarisa Navas for The Thousand and One
  • Ezequiel Radusky and Diego Lerman for Everlasting Plant
  • Franco Verdoia for La chancha

Tailored script

  • Paula Hernández and Leonel D’Agostino for Las siamesas, primarily based on the homonymous story by Guillermo Saccomanno
  • Fernando Salem and Esteban Garelli for Loss of life doesn’t exist and neither does love, primarily based on the novel “Agosto”, by Romina Paula
  • María Gabriela Vidal for Las motitos, impressed by her novel “Los Niños de las Motitos”

Path of images

Félix Monti, Cinematographer Of &Quot;Theft Of The Century.&Quot;  Photo: Fernando De La Orden.

Félix Monti, cinematographer of “Theft of the century.” Photograph: Fernando de la Orden.

  • Julián Apezteguia for Household Crimes
  • Mariano De Rosa for The Hunter
  • Armin Marchesini Weihmuller for The Thousand and One
  • Félix Monti for The Theft of the Century
  • Georgina Pretto for Loss of life doesn’t exist and neither does love
  • Nicolás Trovato for The Hunter’s Silence

Mounting

  • Pablo Barbieri for The Theft of the Century
  • Lucio Castro by Finish of the Century
  • Emiliano Fardaus for Loss of life doesn’t exist and neither does love
  • Paula Rupolo for The Silence of the Hunter
  • Sebastián Schjaer for Household Crimes

Sound

  • Juan Ignacio Bernardis for Loss of life doesn’t exist and neither does love
  • José Luis Díaz for The Theft of the Century
  • Federico Esquerro for The Silence of the Hunter
  • Ignacio Goyen and Federico Esquerro for Household Crimes
  • Catriel Vildosola for The Siamese Ladies

Authentic music

Sebastián Escofet.  Photo Clarín Archive

Sebastián Escofet. Photograph Clarín Archive

  • Pedro Aznar for I am afraid of a bullfighter
  • Ulises Conti for The Siamese Ladies
  • Sebastián Escofet for Household Crimes
  • Santiago Motorized by Loss of life doesn’t exist and neither does love
  • Diego Vainer for We are going to by no means die

Authentic music

  • If we do not speak, by Pedro Aznar and Manuel García (Interpreters: Pedro Aznar and Manuel García), from I am afraid of a bullfighter
  • Cuchillito, by Carlos Casella and Diego Martín Bossa (Interpreter: Carlos Casella), by La chancha
  • Our nice love, by Claudio Juárez, Dario Flocari, Ulises Castañeda (Interpreter: Banda Juárez), by Las Mil y una
  • River Eyes, by Ricardo Mollo (Interpreter: Ricardo Mollo), by Nasha Natasha
  • In that we glance alike, by Santiago Motorizado (Interpreter: Santiago Motorizado), from Loss of life doesn’t exist and neither does love

Costume Design

  • Gustavo Alderete “The moth” by Those that return
  • Mariana Seropian for One thing with a girl
  • Julio Suárez for The Theft of the Century

Artwork path

  • Mariana Ardanaz by Vicenta
  • Daniel Gimelberg for Theft of the Century
  • Lucas Koziarski for The Thousand and One
  • Matías Martínez for Loss of life doesn’t exist and neither does love
  • Marina Raggio for Those that return
  • Alicia Vázquez for One thing with a Girl

Make-up and hairdressing

  • Néstor Burgos for The Siamese
  • Mariela García and Lucas Perrone for One thing with a girl
  • Emmanuel Miño, Susana Rabello and Jorge Rodríguez for The Theft of the Century

Greatest fiction and / or documentary collection

Carmel.  Photo Clarín Archive

Carmel. Photograph Clarín Archive

  • Carmel, who killed María Marta? (Netflix)
  • Nearly Glad (Netflix)
  • The President (Amazon Prime Video)
  • Migrant tales (UN3TV)
  • Survival handbook (Movistar +)
  • Break The whole lot: The Historical past of Rock in Latin America (Netflix)

Greatest Efficiency by a Feminine in a Sequence

Pilar Gamboa.  Photo: Lucia Merle

Pilar Gamboa. Photograph: Lucia Merle

  • Dolores Fonzi for Survival Handbook
  • Sofía Gala for Letters to my ex
  • Pilar Gamboa for Survival Handbook
  • Verónica Llinás for Survival Handbook
  • Cecilia Roth for The Internationals

Greatest Efficiency by a Male in a Sequence

Carlos Belloso.  Photo: Luciano Thieberger

Carlos Belloso. Photograph: Luciano Thieberger

  • Alejandro Awada by Put up Mortem
  • Carlos Belloso by Gate 7
  • Esteban Bigliardi for Survival Handbook
  • Diego Velázquez by Put up Mortem
  • Sebastián Wainraich for Nearly Glad

Greatest Directing in a Sequence

Alejandro Hartmann.  Photo Clarín Archive

Alejandro Hartmann. Photograph Clarín Archive

  • Armando Bo for The President
  • Israel Adrián Caetano by Gate 7
  • Victoria Galardi for Survival Handbook
  • Hernán Guerschuny for Nearly completely happy
  • Alejandro Hartmann by Carmel who killed María Marta?

POS