Home » Entertainment » Two live albums by legendary jazz musician Bill Evans, recorded in Buenos Aires, have been released in the United States.

Two live albums by legendary jazz musician Bill Evans, recorded in Buenos Aires, have been released in the United States.

Two live albums by legendary jazz musician Bill Evans, recorded in Buenos Aires, have been released in the United States.

With Record Store Day, a variant of “Record Store Night” promoted by independent stores in the United States, the Resonance Records label released limited editions on CD and vinyl. morning Glory And inner soulSome of Bill Evans’ albums were recorded live 1973 at the Gran Rex Theater and in 1979 in St. MartinWhat were, respectively, his only two trips to our country.

These are the two deluxe editions of the concerts. In the first cases, with double bass player Eddie Gomez and drummer Marty Morrell; and by Mark Johnson and Joe Leberbera.

Bill Evans was an American jazz pianist and composer.  His work includes cool, post-bop and modal music.  He is considered one of the most important jazz pianists in history.  Photo.

Bill Evans was an American jazz pianist and composer. His work includes cool, post-bop and modal music. He is considered one of the most important jazz pianists in history. Photo.

In another, both the trio and unpublished photographs of those memorable days, as well as treatises with testimonials from the composers, a review of the times, analysis by critic Mark Myers and a reconstruction of those tours through book chapters. Greats of International Jazz in Argentina (1956–1979)by Claudio Paris.

United States record company speaks

“These are two extremely important additions to the official Bill Evans discography. They deserve the scintillating performance and the luxury treatment and showcase two very important parts of his career with two different bands that are important parts of his legacy – as well As well as great music. We were very fortunate to be able to go back to the original tapes,” said Resonance Records CEO Zev Feldman.

To be precise, although these are two concerts that can historically be pirated and were highly valued in the prolific pianist’s extensive discography, the novelty lies in the fact that the publication in this case was the original tapes recorded by the late engineer. were made on the basis of The soundtrack from the show’s console is backed by Carlos Melero and everyone involved.

Bill Evans.  Bill Evans-

Bill Evans. Bill Evans-

thorough investigation

This was made possible by the efforts of journalist Roc di Pietro, who was aware of Feldman’s exhaustive search for unpublished live tapes of jazz legends and—before the publication of previous work by Evans—brought him tapes of these two recorded concerts by Melero. . ,

“Rock was familiar with the work being done on Resonance from our previous Bill Evans album. I heard Melero recorded a group of different artists in Buenos Aires, including these 1973 and 1979 Bill Evans concerts.”

“Resonance acquired the tapes,” he said, “and it took years to get all the rights.” We decided that we could officially release these recordings for the first time and take the opportunity to go back to the original reels of tape for the best. possible allegiance,” Feldman said.

position of tape

Carlos Melero with pianist Bill Evans and his manager Helen Keane at the San Martín Theater in 1979.

Carlos Melero with pianist Bill Evans and his manager Helen Keane at the San Martín Theater in 1979.

“The tapes were in good condition and didn’t require much work in terms of audio dropouts or noise, but some leveling was needed,” said executive producer and project engineer George Klabin.

“Melero used to record shows in which he made sound in secret several times, to listen to them later and to analyze thoroughly how they turned out and what things could be improved upon; but he The tapes were also kept as a souvenir, so there is a large collection of concerts recorded this way”, explained journalist Claudio Paris, who explained that the engineer was “not only completing the recording but also trying to hide the recorder.” There was also a way”.

Thoroughly familiar with the history of jazz and the pianist’s discography, Feldman said that these two recordings “represent” bill evans at his best“And marked some specifications in this regard.

“Long and thunderous final applause Waltz for Debbie in morning Glory I feel cold when I hear it. from inner soul i like the version MASH. Theme fromA song that they played during that period and I associate them a lot with that particular trio,” he said.

In addition to the value of the official version of these two concerts, the reality is that it opens the door for more concerts of jazz figures in Argentina recorded by Carlos Melero to be published in the future.

“I’m in contact with the Melero archives so it’s always possible. You never know!” When asked about the topic, Feldman said.

Source: Telam

MFB

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