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The most beautiful, celebratory and moving festival in decades

The most beautiful, celebratory and moving festival in decades

The Dance Council of Argentina, headed by Beatriz Durante, has been celebrating International Dance Day for more than two decades, which always brings together various manifestations: classical ballet, contemporary dance, tango, Spanish dance, folk dance and much more.

This year marks the fortieth anniversary since the establishment of the International Day of Dance by UNESCO, and perhaps because of the anniversary of this round or perhaps because of a blessed astral combination, the general celebration of CAD every 29 April It was the most beautiful and just celebration in memory,

A great writer said that while writing a text it is convenient to avoid the excess of adjectives as much as possible. However, and ignoring it, what is going to proceed with merit; Even more so, all enthusiastic.

Program

Let’s start by describing the program: The function was opened with a beautiful flamingo painting Performed by great artists: Yanina Martínez and Yamil Rabaz on dance, lvaro González and Maximiliano Serral on Canté and Esteban Gonda on guitar.

Flemish painting.  Photo: Alicia Sanguinetti

Flemish painting. Photo: Alicia Sanguinetti

then there was A Complete Volume of Argentine Folklore: First, a “refalosa”, a popular 19th-century dance in a tasteful version, masterfully performed by Gabriela Avalos and Matias Somoza.

Gabriella Avalos and Mattias Somoza in a Refalosa.  photo Alicia Sangunetti

Gabriella Avalos and Mattias Somoza in a Refalosa. photo Alicia Sangunetti

Later an extraordinary northern malambo By Fernando Castro, who took first place at the prestigious Labord Festival in 2009.

The great Malambista Fernando Castro.  photo Alicia Sangunetti

The great Malambista Fernando Castro. photo Alicia Sangunetti

and to close, a very beautiful perricone With the Trincheras Dance Ensemble directed by Rubén Suares: a perfect balance between the traditional look of Perricón and the contemporary nuances.

Perricone by the dance group of the Trincheras.  photo Alicia Sangunetti

Perricone by the dance group of the Trincheras. photo Alicia Sangunetti

a little tango

they followed two couples Joe of Tango anticipates the upcoming premiere of a work by choreographer Leonardo Cuello to music by Astor Piazzola. Even out of context, these duets with Aylain lvarez and Jose Lugones, and, on the other hand, Laura Zaracho and Juan Pablo del Greco, shone thanks to Cuello’s that refined approach and his personal approach. Tango Visible.

Duet by Leonardo Neck.  Photo: Antonio Fresco

Duet by Leonardo Neck. Photo: Antonio Fresco

gems: three alone

Here are three absolute gems in the form of solos: aria by Renate Schottelius Fear Door Hoyer and . By Pain By Oscar Arise, who also directed the powerful and extraordinary cast that is Antonella Zanuto. Dor Hoyer and Rennet Schottelius are both part of the modern dance tradition of the 20th century, of which Arise is a kind of successor. The sheer legitimacy and dramatic beauty of all three pieces left the audience holding their breath, as if in a state of grace.

Antonella Zanutto in "Area" by Rennet Schottelius.  Photo: Alicia Sanguinetti

Antonella Zanutto in “Area” by Rennet Schottelius. Photo: Alicia Sanguinetti

Concluding with Contemporary Dance

The ceremony ended with two pieces of contemporary dance: the first, with a work by Annabella Tulliano called Grupo Cadabra. BraveryVery nice dancers and a little bit of esotericism.

And finally, the last fifteen minutes of cantata, equestrian choreography by Mauro Bigonzetti for the Contemporary Ballet of San Martín, directed by Andrea Chinetti and which premiered early last March. It is a festive work, full of zeal and enthusiasm. For the gala, the director of the ballet chose a piece that begins with a trio performed by Lucia Bergado, Andrés Ortiz and David Milne.

This scene can be viewed a thousand times cantata unfathomable: its choreographic detail is sublime and the way these dancers embody it is sublime; Indeed, more than a trio, they are two consecutive pairs in which the female remains and the male changes; And it’s the perfect time to take a closer look at a truly amazing dancer: Lucia Bargado, torn between two men here in a performance that brings tears to her eyes.

balance

What left us with this festival other than the joy of sharing an extraordinary hour and a half, Many things On the one hand, that dance, when it appears realistically in any genre, infinitely transcends the most ordinary expressions of entertainment and is a wonderful channel of communication.

Everything that was seen on Friday night in such diverse forms belongs to a tradition, a history gathered over time, to deep study and conviction. And finally, as one viewer put it at the end of the show: “What an excellent dance, what an excellent dancer in the country”.

In the first volume of the History of Humanity, published by UNESCO several years ago, it can be read that an investigation of the European Palaeolithic showed that dance was part of those primitive cultures: “It was found – said in the first chapter Gaya – a strangely poignant direct evidence of dancing footprints on the mud floors of caves.” The moving power of dance, to this day.

Fact: The filming of the entire ceremony has already been uploaded to the Argentine Dance Council’s YouTube channel.

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Reference from clarin www.clarin.com

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