with a very different repertoire Which he performed in his debut in the same hall 10 years earlier (when he gave a concert with an orchestra with Ramon Teber and his ex-wife Angela Gheorghiu), by Italian-born French tenor Roberto Alagna once again. Feet kept. The stage of the Teatro Colón, in front of a room waiting to be prepared to enjoy a singing feast.
Contrary to what is usual for many opera singers, Joe is turning his repertoire towards more dramatic roles and dropping more lyrical ones around the age of 60. Alagna has been adding roles without leaving out some of the beginnings of her career.
Like, for example, Rudolf de la Boheme, who uses . talks about Unquestionable toughness and intelligent handling of resourcesSomething that the race usually has far outweighs the resources themselves.
The first part of the program for his singing pianist Irina Dichkovskaya Provided a selection of opera arias designed for various registers ranging from light-lyrical tenor to baritone, and within it the three French opera scenes were not very well known locally.
Pianist Irina Dichkovskaya and tenor Roberto Alagna, in full concert. Photo: Colon Theater Press / Arnaldo Colombaroli
an unconventional start
Robert Alagna He broke the ice with more than one tenor bad looking option: Excellent Venment, Ma Bien Amyof le roi d’yas by Lalo, which was followed by an aria les abancerage To Give Way to Aria by Cherubini eleazar of youth by Jacques-Fromental Helévy.
Alagna’s French diction is logically excellent, but his technique and his open delivery and at times More suitable for a somewhat cramped Italian repertoire.
After the only porch of the night (ah, paternal hand of macbeth), Algna started a carefree venture by singing excerpts from pagliasi Written for three different characters: Tonio’s Prelude, Beppe/Arlechino’s Serenade and Vesti La Gibba, Canio’s awaited moment.
must choose more like a joke or a display of versatility As a baritoneal future promises, as Alagna lacks the detail and color of the register that would allow her to follow in the footsteps of Placido Domingo, for example.
role of pianist
Roberto Alagna is French of Italian descent, and has works from both repertoire. Photo: Colon Theater Press / Arnaldo Colombaroli
Excellent in Chopin’s works This served to separate five blocks of vocal music, ventured into Irina Dichkovskaya, who is famous here for her vocals and concerts with the orchestra. a field that, based partly on its background—and partly by the results—is completely different toAs is the accompaniment of singers and especially opera.
This is a very difficult task in which The pianist should reproduce the orchestral part and guide the vocalist, but at the same time follow it to the millimeter, Difficulties became apparent in Halevi’s aria, in which he added a rubato, an excessively slow tempo and dynamic variations that were not the best support for the voice, and something similar happened with Leoncavallo’s aria.
Thankful. Tenor Roberto Alagna at the end of his long concert. Photo: Colon Theater Press / Arnaldo Colombaroli
The second part was a tribute by the singer to her Italian roots that began with three beautiful songs, two of them in French: au claire de la mona of Leoncavallo, Les Millions d’Harlequins More by Ricardo Drigo from Spain Why dichiara?
Later, Alana The Neapolitan fell into the waters of CanzonettaAn area in which he feels comfortable and deals with subtly, something that is not always present in that repertoire: dicitenselo vuje (false), na ser e maggio (coffee), Excitement (tagliaferri), io will let you go (decapua) and return to suriento (from Curtis).
to applause Launched a parade of eleven encores that exceeded all expectationsand who went through pieces of a cappella (a Sicilian song with lots of acting, a piece of the day you love me and a lullaby), popular Latin American compositions (their endless treble falsetto was praised) malaga) and again Italian and especially the tune of destiny, with a general delirium or just mine,
Although The program may have disappointed those who expected more operas.It must be said that, from the simplest page to the most sought-after arias, the charismatic Roberto Alagna He lent himself completely to each of the nearly 30 tunes he sang.And that the people of Buenos Aires thanked with their most sincere enthusiasm.
bicycle great artist
Qualification: Very goodI
with: Roberto Alagna (tenor), Irina Dichkovskaya (piano) Stage; Columbus, Tuesday 14 June.
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Reference from clarin www.clarin.com