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Olivia Rodrigo’s Sour Tour Is A Puny Heartbreak Review

Olivia Rodrigo's Sour Tour Is A Puny Heartbreak Review

Portland, Ore. – As a pop star, Olivia Rodrigo’s legacy includes precision dissector and uncontrollable shredders, agony and angsty. his first album, “Tart taste” — one of last year’s finest releases, and one of the most promising pop arrival notices of the past few years — makes the calmly and decidedly deep inner song sound like an excuse for a fight.

On stage at Moda Center’s Theater of the Clouds here on Tuesday night, during the first performance of her Sour Tour, she seemed to reconcile these competing impulses from the start. Heavy guitar smears announced her arrival, and the eye-popping, heavily teen-tragic anthem “Brutal” kicked off, followed by “Jealousy, Jealousy”.

Then Rodrigo sat down at the piano she was ignoring and leaned over “Driver’s license,” The song that made it all possible. A cry of utter loneliness, it was released in early January 2021, and became a pandemic megasmash and the most consequential pop song of the past year, which saw Rodrigo go full on pop-culture struggle from minor Disney-show fame. thoroughly caught.

She spent her time here, showing a piercing thickness in her voice, even as it seemed that each of the few thousand people present were trying to outsmart her. After it was finished, she exhaled and smiled and noted, “That song won a Grammy like two days ago.”

Rodrigo won three totalIn fact, including the best new cast, ending an exciting 15-month stretch. But despite the accolades she received due to the pandemic, she had yet to perform in a room of thousands of fans who only came to see her.

This boisterous, cathartic-out-on-the-road party was a manageable-sized affair. Every song and a few covers on “Khatta,” all in less than an hour. Minimal staging, just gym bleachers on either side of the stage and a disco ball that rises to the top. And even though his hits may have filled the arena, Rodrigo is starting out with a more medium-sized audience.

At times, she showed how expansive her intimate songs can be, such as her solo acoustic guitar turns on “Enough for You” and a mix of “1 Step Forward, 3 Steps Back” and the reluctant “Favorite Crime”. When she loosened up, she was just as confident, as if on “Good 4 You” with the raised middle finger on top. The fiery bloodthirsty “traitor” was alternately coffeehouse cool and arena bombshell, and was equally persuasive in both modes.

Rodrigo was backed by a roaring all-female band, which gave their songs an obvious stickiness: “Happier” was featured as the theme of a sad prom, and “Hope Ur OK,” on the album. There was a nostalgic thematic exterior, throbbing moody, instantly triggering thousands to toss lit cellphones in the air.

With the benefit of a full year’s vision, “sour” sounds even more like a supernova. To some extent, its tremors are already being felt – there is an emerging class of young female singer-songwriters in the Rodrigo mold, including Lauren Spencer-Smith, Gail and Gracie Abrams, many of whom have a dose of TikTok virality. with those who are inaugurating. Work for this tour. (Rodrigo said that the influence went in the other direction, noting that the soundtrack to Tearful Drives he wrote so explicitly in “Drivers License” was that Abrams was “I miss you, I’m sorry.”,

Heavy preshow soundtracks of the ’90s: Rodrigo’s gimmicks in Michelle Branch’s “Everywhere,” Fiona Apple’s “Criminal,” The Breeders’ “Cannonball,” The Cardigans’ “Loveful” (though the biggest crowd reactions) are, So far, One Direction’s “Olivia”, which was released when Rodrigo was 12). And it was in her outfit choices as well: First, plaid bondage pants were paired with a black mesh top, and later, a glittery dress paired with heavy combat boots. ,“Olivia Rodrigo: Driving Home 2 U,” The concert film, released last month, uses footage from Rodrigo recording a demo of “drivers license” for the first time—he’s wearing safety pin earrings.)

His open assertion on a range of genres has already attracted some degree of tension, if not considerable outrage. Courtney Love drags Rodrigo For the alleged similarity between the album artwork of “Sour” and Hole’s “Live Through This”. And two songs on “Sour” now include additional writing credits: Taylor Swift, Jack Antonoff and Annie Clark (aka Saint Vincent) on “Deja Vu” and Paramore’s Hayley Williams and Josh Farrow on “Good 4 U”. Thoughtfully paying tribute only to find that the people you’ve long loved from afar are hovering around like vultures that are bent on defending their shrinking land.

At the show, she presented two knowledgable covers: “Complicated,” by Avril Lavigne, which coated her pinpoint pop instincts in the punk aesthetic from the start of her career, and Veruca Salt’s “Seather,” of grunge-adjacent alt-rock. A pillar that was the moment Rodrigo appeared out of his depth, his jittery vocals not being able to cut through the band’s abandonment.

Now that the live-music business is getting back on its feet, Rodrigo can finally take advantage of some of the funnier parts of stardom. First, the unexpected crackdown of the live performance: Not every call-and-response moment went flawlessly, but Rodrigo seemed happy with the signs he missed. Loved by fans to whom she’s now a proxy best friend: “Don’t text her,” Rodrigo warns a young woman while requesting her for romantic advice. And finally, there’s the joy of actually breaking through the restrictive rictus of child fame: Before me, a mom attempted to cover her daughter’s ears every time Rodrigo landed in the “drivers license” bashing part. And every young lady shouted along the room.

Most of the night Rodrigo was either sitting or running, but by the end of the show, she seemed more comfortable. In the first chorus of “Deja Vu,” she lay on top of the piano and sang in the sky. And just as the final song of the night, “Good 4 U” was about to end, she ran to the drums and groaned on a cymbal, a taste of all the freedoms to come.

Olivia Rodrigo’s Sour Tour runs through May 27; oliviarodrigo.com/tour,

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Drashti Jain