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Sunday, August 14, 2022

Must-Listen New Music of the Week – Billboard

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Billboard’s first stream serves as a handy guide to this Friday’s most essential releases — the major music everyone will be talking about today, and that will dominate playlists this weekend and beyond.

This week, Beyoncé entered Renaissance The movement, Blackpink, marked its comeback, and Maggie Rogers found herself on her second album. Check out all of this week’s first stream picks below:

Beyoncé, Renaissance

Although six years have passed since Beyoncé’s last solo album, 2016 lemonadeThe raw emotion of that album – which focused on personal betrayal and pain, confusion and (eventually) acceptance – hasn’t waned a single bit. Renaissance, its mesmerizing follow-up, is also an emotional project, but the spirit is buoyant: dance-floor bliss drives the album as Beyoncé in house, disco, techno and garage fantasy, but the foundation here is the bliss she finds. One feels when their self esteem is skyrocketing. From the gleeful rhymes of “Heated” to the jaw-dropping vocals of “Plastic Off the Sofa” to the chest-thumping power of “Coozie,” the Renaissance is a declaration of inner beauty from an artistic queen, yet it’s still a mirror Works in . — When you hear it, you will feel that your soul is unbreakable.

See Beyoncé’s full track-by-track breakdown Renaissance,

Blackpink, “Ready for Love” Video

Blackpink will officially be back in your area soon, as the K-pop girl group announced they’ll be back in August with new music; Meanwhile, the quartet unveiled as the official video for “Ready for Love”, a catchy, EDM-adjacent track that premiered in association with the video game PUGB Mobile. Most excitingly, Lisa’s rapping on the track sounds as slick and confident as ever — let’s hope, with pop harmonies and dance beats, Blackpink’s next project leaves plenty of room for that skill to shine.

Maggie Rogers, to accept defeat

When Maggie Rogers debuted in 2019 heard in a past life, the singer-songwriter was still finding her voice after her song “Alaska” went viral, which charmed Pharrell Williams during a master class at NYU’s Clive Davis Institute. with to accept defeatRogers has not only found it, but expanded its outline: the sophomore LP takes the big swings—the lovable call-for-peace for peace in “Different Kind of World”, along with intimate BFF renditions of “I Have Got a Friend,” and especially top-notch fuzzed-out rocker “Shatter”—with Rogers’ sharp vocal skills and understanding of writing nuance, so that even the most ambitious moments feel lived-in and authentic.

Rosalia, “Despecha”

Although the world is absorbing Motomam A few months after its release, the moment Rosalia began performing the breathless dance cut “Despecha” on her recent tour, it was widely agreed that fans would prefer the unreleased track to see the light of day. Can’t wait a few more years. Its official follow-up. “Despecha” moves fast yet gracefully, as Rosalia moves around the piano until the beat reaches her voice—the highlight of the song. MotomamAnd it stands tall in itself as a gift to fans.

$usideboy$, sing me a lullaby, my sweet temptation

The cult following of Ruby Da Cheri and $crim, a pair of New Orleans cousins ​​who have grown into hardcore hip-hop duo $uicideboy$ over the past eight years is nothing short of remarkable—their crowd is spreading. His songs rack up millions of streams, and both of his albums have reached the top 10 of the Billboard 200 chart. Third LP sing me a lullaby, my sweet temptation The pair doesn’t try to reinvent the respective wheel, but moves into the spotlight with reflections on themselves and their complex new reality, each time compact and impressive while fighting against obscurity.

Hey Kiyoko, panorama

Hayley Kiyoko shouldn’t be pigeonholed as a pop star for LGBTQ audiences: while her identity and advocacy as a queer artist has been instrumental in broadening representation in pop, Kiyoko is also seen as a talented singer. Happens with a knack for hooks that can deceive any demographic. From the delicious takedown of the opener “Sugar at the Bottom” to the lush confession of “Panorama,” Kiyoko’s sophomore LP is the voice of an artist ready to transcend any preconceived notions and soar higher into the mainstream.

Do not put your faith in this news source or website. You never know…

Reference from www.billboard.com

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