Ayten Amin’s unconventional coming-of-age drama takes a realistic view of recent Egyptian society.
A the telephone’s digital camera turns into a mirror of self-perception in Souad d’Ayten Amin, named after its 19-year-old protagonist, performed by Bassant Ahmed. Nearly a social chameleon, she makes up tales about fiancés and medical colleges and fishes for recommendation from the type “aunt” sitting subsequent to her on the bus. Its actual world is smaller.
Within the Egyptian metropolis heart of Zagazig, she lives at dwelling, silently serving her dad and mom along with her little sister Rabab (Basmala Elghaiesh). She escapes by way of her telephone display screen, obsessively scrolling by way of social media and addressing this nearly inaccessible different world. She begins relationships with older males like Ahmed (Hussain Ghanem), who lives a superb influencer life hours aside within the glamorous port metropolis of Alexandria, sending her a slice of voice messages and photos.
By exhibiting solely the Souad facet of this relationship to start with, Amin highlights the anxiousness that comes with out human closeness or the immediacy of a response. Souad’s flirtation is painful to look at as she sits at the hours of darkness, lit by the supernatural blue glow, silently crying. There may be irony in his t-shirt with the inscription “GIRLS DON’T DRESS FOR GUYS”. With no soundtrack or voiceover, Souad feels voyeuristic because the digital camera follows his topic intimately, however there’s a barrier to understanding even once we hear his determined late-night messages.
Conversations along with her associates introduce the ideas of different Egyptian teenagers, presenting an intriguing dichotomy between religion and frivolity, judgments made on different Instagram profiles on the point out of Istikhara, a prayer to hunt solutions about the way forward for God.
Whereas utilizing crappy mascara and lip gloss that is too pink and too sticky is a relatable expertise, an incisive scene reveals the ladies speaking about lightening pores and skin with lemon juice, highlighting the ever-present magnificence beliefs that brainwash them. with racism. Nonetheless, these restricted concepts fade as Souad’s closest associates turn into stereotypes, like an angel and a demon on every shoulder. One flirts brazenly and encourages, the opposite extra reserved about relationships.
In its second half, the movie shifts to Rabab’s standpoint as she searches for Ahmed. There’s a realization that the horrible man on the opposite facet of the telephone is absolutely only a man, as misplaced as Souad, though sufficiently old to know higher. In her first efficiency, Basmala Elghaiesh stands out. Regardless of her youth and unpretentious presence, Rabab is as candy a liar as her sister, and her occasional disappointments are stunning. She repeats every part from her aunt’s scolding to her sister’s ache, and her confusion erupts from an in any other case reserved dialogue.
Souad questions fashionable Egyptian society with a very down-to-earth tone that’s solely saved by the shifting moments of Elghaiesh as a toddler, questioning the worth of this ephemeral grownup world. As somebody with related first-hand expertise of this world and these characters, all of it feels shallow and bitter – with out the stability of hope. Though it could appear extra revealing to those that are navigating this medium for the primary time.
Reference of the Article-post – Opinions – Little White Lies