Tif it dates solely from 1897, the story of Cyrano de Bergerac already appears like a story as outdated as time. Tailored in all contexts, from feudal Japan to the present highschool, Edmond Rostand’s play sees Cyrano serving to the dashing Christian, his rival for the affections of the attractive Roxanne, to win his hand regardless of his personal curiosity.
As audiences can see within the first trailer uploaded this morning, Joe Wright’s new big-screen edit of the outdated textual content stays true to its Seventeenth-century setting, whereas making a handful of key modifications. On the one hand, placing Peter Dinklage within the lead position modifications the plot particulars, if not its mechanics; the place Cyrano’s outsized schnoz made him initially unsure about his pursuit of Roxanne (Haley Bennett), this time round Dinklage’s precise achondroplasia convinces him that he can by no means be with the apple of the attention of her eyes and that she can be higher off with Christian (Kelvin Harrison Jr.).
However essentially the most notable freedom taken needs to be the musical numbers, in step with the identical mashup style Wright had beforehand explored with the closely breaded pan. Moderately than adapting the play immediately, the movie operates from a 2018 musical written by Erica Schmidt, who has screenplay credit score on Wright’s newest challenge and in addition occurs to be Dinklage’s spouse. (The music and lyrics for Schmidt’s stage efficiency have been written by the members of the Nationwide, who as soon as once more lend their abilities right here.)
The movie premiered earlier this 12 months at Telluride, the place critiques have been from the extra optimistic facet to the combined facet, praising Dinklage’s main efficiency whereas acknowledging the awkward friction of grafting melodies on the story of Rostand. Indiewire’s opinion paid specific consideration to the distinctive circumstances of the manufacturing of the movie, shot on the coronary heart of the COVID-19 pandemic on a closed set in Sicily.
For Wright, this represents a return to his wheelhouse, a lot nearer to the delusional theatricality of his Anna Karenina than to the under-exploited psychothriller thriller of his most up-to-date The Lady within the Window. With this specific expertise, extra is at all times extra, and evidently his Cyrano will do every thing: sing, dance and pine.
Cyrano hits theaters within the US on December 25, after which within the UK on January 14.
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