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Drive My Car

This captivating, emotionally eloquent Haruki Murakami adaptation from Ryūsuke Hamaguchi is one of 2021’s must-see movies.

This captivating and emotionally eloquent adaptation of Haruki Murakami is one of the must-see movies of 2021.

JJapanese writer / director Ryūsuke Hamaguchi confirms his status as a world-class talent with this scintillating, intuitive and radical adaptation of emo god Haruki Murakami’s melancholy short story “Drive My Car,” which was featured in the 2014 collection, “Men Without Women. “.

What Hamaguchi and co-writer Takamasa Oe are doing with this film is threefold: they conscientiously carry Murakami’s central text to the screen; they reform it, weave sections and recalibrate the weight given to certain characters; and, finally, they seamlessly usher in Hamaguchi’s constant fascination with the way performance permeates our daily lives, the cathartic qualities of confession, and the inability to truly know even the fundamental truths about our friends, lovers, and acquaintances.

The opening credits drop to around 40 minutes of this lush-paced three-hour opus, after an extended prologue in which sweet comedian Kafuku (Hidetoshi Nishijima) discovers his wife, actress and TV screenwriter, is sleeping. with one of his young stars. The day she seems to want to confess to the husband she seems to adore, she falls dead and drags the question of her motivation, her sincerity and her true feelings with her to the grave.

Drive My Car - Light Home News

Fast forward two years, and Kafuku is still in a state of suppressed mourning, en route to Hiroshima to direct an experimental production of Chekov’s “Uncle Vanya” in which all parts are delivered in different languages ​​(including signs). At the root of all the narrative twists and drifting episodes lies a paradoxical notion that humans have a supernatural sensitivity for communication and are sensitive to gesture and emotion. Yet all this seems to count for nothing because what good is being able to communicate when no one really wants to say anything significant and reveal the thoughts that remain locked in the recesses of the soul?

The film’s title refers to Watari (Tôko Miura), the brooding, chain-smoky driver that festival organizers hired for Kafuku, who is truly a peripheral actor for the film’s two-hour opening. duo ultimately decides to open. to each other about their various woes, purging all there is to purge in an attempt to find some kind of spiritual peace.

There are a few narrative reveals that feel like they’ve been pulled from the most garish soap opera later in the game, but Hamaguchi largely rejects the natural editing and plot rhythms of conventional films, opting instead for exchanges of opulent and broad-based dialogue. And rather than dragging on, each feels perfectly calibrated and intensely captivating, as the drama is slowly pulled out of the interactions rather than just thrown there like a green flag to move on to the next scene.

Drive My Car is endlessly fascinating and rich, the type of movie that you might spend hours analyzing and not come close to feeling like you’ve landed on its true intention. But it’s not repulsive and closed off, more like a Jacques Rivette film, where a sense of heartfelt emotion is carefully surrounded by playfulness and wonder – as if there is always something magical and wonderful about it. another world in the air despite the down-to-earth decor.

Reference of the Article-post – lwlies