for the love of ronnie That’s the title of the concert that will take place tonight, Tuesday, May 10, in the Perelman Room of the iconic Carnegie Hall. It is a celebration organized by the great Ron Carter, who turned 85 six days ago.
Double bass player and big band leader, Ron Carter made the announcement in his apartment on the 10th floor of a building on Manhattan’s Upper West Side. As background music, Antonio plays Carlos Jobim, with whom he has played in the past.
With over 60 albums as a leader and countless as a sideman and some 2,200 sessions under his belt, Ron Carter doesn’t usually give many reports, but in this meeting he details his concerts at Carnegie Hall. wanted to give A trio, a quartet and an octagon, to celebrate their new 85 years of age.
Ron Carter at the Coliseo Theater in May 2019. photo Andres D’Elia
a musical life
Carter grew up in the American Midwest in a household that had musical instruments, although they weren’t very musical. “It was somewhat common in the homes of black people in the ’40s and ’50s,” he says, “because there was always someone who would play the piano or sing like a choir.”
At the age of 11, Ron began playing the cello, thanks to a teacher who wanted to put together an orchestra and show them the instruments. “It caught my attention and I played it until I got to high school,” he recalls. there he realized that They didn’t give him as many chances as white boysNo matter how well he played, and when he saw that the only bassist in the orchestra was about to graduate, he switched to bass.
Ron Carter a prodigy. photo Andres D’Elia
discrimination continues When he went to the Eastman School of Music in Rochester, New York. Carter played bass in the orchestra, but conductor Leopold Stokowski wanted him to join the Houston Symphony, but stated that the state of Texas was not progressive enough to have a black musician in the orchestra. Then Ron Carter decided to play in a jazz club.
“They told me I play really well and maybe I can get a job in New York,” he said. He moved to the big city after graduating in 1959 and began playing in drummer Chico Hamilton’s band while earning his bachelor’s degree. Manhattan School of Music. Two years later he graduated and released his first album, Where?With Eric Dolphy and Mal Waldron.
With the exception of Charles Mingus and Oscar Pettiford, bass players were not seen as bandleaders, so insisting on doing so was an act of rebellion. “Bass players certainly didn’t get as much attention as other musicians,” he explained, “so I thought this was an opportunity to do that.” Gradually, his fame grew on the New York scene, and in 1963 he was one of the city’s most promising talents, and was immediately discovered by the best of the cast.
Miles Davis Calling
Ron Carter. Photo: Press/Takehiko Tohiwa
Thus Miles Davis recruited him for a new quartet he was putting together, an experience that lasted five years, until Davis disbanded the group to do something more electric with rock and funk. Did. But that phase was only possible because of what the other great quintet achieved, with Carter, Herbie Hancock, Tony Williams and Wayne Shorter.
“Every night was an opportunity to play wonderful music with the people we love,” Carter describes.
a continuous development
Ron Carter’s music continued to evolve. He taught jazz at the City College of New York, and worked for the Blue Note and CTI labels, playing with everyone from Roberta Flack and Gil Scott-Heron to Lena Horn and Archie Shepp. Later, he also recorded hip-hop with his sons Tip A Tribe Called Quest.
According to bassist Stanley Clarke, “Ron is like the center of a concentric circle. He controls almost everything in his band, and the bass is clearly heard on each of his albums. He is the culmination of great bassists who are in the middle of a circle.” came first. He, like Mingus, Pettiford, and Paul Chambers, “has no bass player who is not impressed by him,” says Clark.
Ron Carter’s devotion to his bandmates is always the first thing on his mind. “I want to make sure you know that I appreciate your love and care,” he said, looking out the window, “I’m still getting better at what I do.”
Source The New York Times
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Reference from clarin www.clarin.com