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Wednesday, August 17, 2022

How was the powerful and sensitive finale with Divided and Catupeku Machu?

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Quilmes. first face-to-face version of The end of rock in ten years with the show two most important power trios Of the History of the National Rock: Divided and Catupecu Machu.

Divididos took over after Nathy Peluso’s demonstrative and explosive show, in which the modernity of the sound, directed by incisive bass, raised questions about how the band’s organic audio would be received.

As Riccardo Mollo, Diego Arnedo and Catriel Civarella, doubts were cleared in seconds They began to draw magic from their instruments, Yes, Divided still deserves its nickname of “rock steamroller.”

Riccardo Mollo, as expressive as ever at the Divididos show at Quilms Rock.  photo martin bonetto

Riccardo Mollo, as expressive as ever at the Divididos show at Quilms Rock. photo martin bonetto

Argentina to death

a demonstration national anthem begins With the Mendoza Philharmonic in Molo’s version, K furious and Porteno giving way to funk sport horse riding, The sound effects are of much greater proportion and the public – especially the general area – acknowledges the receipt and surrender of the first pogo.

from there do strange things without scales; Immediately “enthusiast” becomes the main word of the show.

For one hour He played well in his most powerful repertoire ,almost idol, pudding spirit, elephants in europe and the cover have sandro and k go out in the sun of La Pesada del Rock ‘n Roll) and the experience is still as brutal as it was in the ’90s.

Divididos energetic drummer Catrielle Ciavarella at the Quills Rock Show.  photo martin bonetto

Divididos energetic drummer Catrielle Ciavarella at the Quills Rock Show. photo martin bonetto

By the time it was necessary to moderate the decibels, the people of the West pulled two songs which at this time are approx. national rock standard, rock spaghetti and exciting with capital letters couple thousand,

Every 33.3% of the gang does your job well: Catrielle, Argentine turned into like John BonhamHitting his drummer’s body as if he had an anvil on each hand and still exhibiting a wonderful sense of groove.

Diego Arnedo (like Al Pacino every day) is the foundation on which the entire flight of his two teammates rests; Its vintage touch doesn’t age and the audio sounds as if it was pulled from a hi-fi sound experiment.

Diego Arnado, the Divididos' bass player and a fundamental part of the band's sound, during the Quills rock show.  photo martin bonetto

Diego Arnado, the Divididos’ bass player and a fundamental part of the band’s sound, during the Quills rock show. photo martin bonetto

In the end, Molo, the master of ceremonies, also did everything well and not only in musical form: his communicative contribution with the public was always successful, Between complicity, meekness and sympathy,

level of excellence

Divided has a very high standard of excellence and thanks to songs sound like new,

“A soul travels to the sun” sings Molo in the sentimental malambo that is 66 poppy seedsDedicated to George CastroHistoric manager of the recently defunct band.

The rock and roll steamroller is Divided... and they reprized it at Quill's Rock.  photo martin bonetto

The rock and roll steamroller is Divided… and they reprized it at Quill’s Rock. photo martin bonetto

After raising the instrumental passage, the show enters its finale delivery emotional version from kru chan You armored eye To rein in Sumo’s and show’s ending bosses: 38, delta wing You lovely sky (At the request of a fan, in which Molo shows off his voice in a larger size).

so all three goals a seamless performanceCelebrating a repertoire that despite the years still has many good moments.

the thrill of return

Fernando Ruiz Díaz enjoys the return of his band Catupecu Machu in Quilms rock photo Martin Bonetto

Fernando Ruiz Díaz enjoys the return of his band Catupecu Machu in Quilms rock photo Martin Bonetto

At around 11:00, the stage’s video screens were turned on, where Catupeku Machu would come out a few minutes later. on the screen, the sound of Gaby, the late bass player and co-founder of the band with his brother FernandoThat’s why this concert that might be called “Catupecu All Stars” basically takes place.

the originator of emotions secret passageclassic disc cut headless tales (2000).

Fernando Ruiz Diaz (voices and guitar) is again a powerful image with Abril Sousa (drums on the first two albums) after 20 years: the duo teamed up with Gabriel Ruiz Diaz to push Catupecu as that strange phenomenon in national rock. Granted, that bug is weird in that it’s not for everyone, but it’s everything for those who revel in its particular sound and His poetry is as philosophical as it is emotional,

April Sosa, Ketupeku Machu's first drummer, in an emotional show at Quilms Rock.  photo martin bonetto

April Sosa, Ketupeku Machu’s first drummer, in an emotional show at Quilms Rock. photo martin bonetto

In their first show in nearly five years, the band leads unsung heroes (from metropolis), great complete chromosome You can you Prior to the first change of musicians in formation began in 2007 with the album Labyrinths between the edges and dialects,

The sound is already “adjusted”, the repertoire is precise and everything seems to be in its place, except the naturally verbose Fernando Ruiz Díaz is quieter than usual.

It is as if such feelings are being processed from place to place while contemplating and constantly staring at the horizon; as if the situation had taken him hostage And the flow of emotions is such that they have not found a way to express yet.

Fernando Ruiz Diaz and Charlie Noguera at the Catupecu Machu Show at Quilms Rock.  photo martin bonetto

Fernando Ruiz Diaz and Charlie Noguera at the Catupecu Machu Show at Quilms Rock. photo martin bonetto

But Ruiz Diaz’s spirit nature prevails and front man start the party And now yes, the devoted masses who live until the end of this very long day on Sunday start to feel at home.

Guest

“Gabby loves and admires this person” says the singer before welcoming Mr. FlavioBassist and Co-Founder great cadillac,

The memory of Gabriel Ruiz Díaz in the flag of Catupecu Machu fans at Quilms Rock.  photo martin bonetto

The memory of Gabriel Ruiz Díaz in the flag of Catupecu Machu fans at Quilms Rock. photo martin bonetto

Although I would have thought they would play together Manuel Santillon, The Lionthe chosen topic is in your dreamsA song closely identified with Gabriel’s figure, contending for a distinctive bass arrangement that provides a depth different from that between Charli Noguera and Flavio., Spiritual intensity goes up another notch,

More Guests and More Emotions: Wallas and El Tordo De massacre engage in fines alternative plan Abril and . played for two drummers with Julian GondellDrummer for Vantra.

There seems to be an area in Fernando’s brain in which he accumulates some of the best phrases in his songs or covers that he usually does and with that strange advantage he improvises, mixing songs live, ethereal sensations. generates.

Almost all members of the band’s various stages continue to parade on stage, but everyone wants to enjoy seeing Fernando and Abril together again and luckily no one is going to be left out.

Harangu.  An authentic Fernando Ruiz Díaz at the Catupecu Machu show, which closed Quilms Rock 2022.  photo martin bonetto

Harangu. An authentic Fernando Ruiz Díaz at the Catupecu Machu show, which closed Quilms Rock 2022. photo martin bonetto

the dedication of go ahead! And And I want you to step without the ground They tremble the floor of Villa Martelli while Fernando, with tears in his eyes, assures that he feels “this is the moment Gabby climbs up”.

and then most powerful supper of the night Happens: Armed with only a guitar and a floor tom, Abril and Fernando make whole or in piecesThat tribal ballad of lovely beauty and message of value.

The emotional connection is wild and after being invoked overnight, Gabriel’s spirit begins to say the present On that stage, somewhere between my two comrades.

For a moment Catupecu That Alien Trio Is At It Again But from the neighborhood, although on stage there are two types.

two big boys They know how to face their demons and silence them in time To be able to continue to enjoy life’s greatest gift: to be able to live music in a unique way and thus an irreplaceable scene, a different urban cult, a headless story that becomes an important page tomorrow Gone and doesn’t seem to be the last.

WD

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Reference from clarin www.clarin.com

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