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“Fame and popularity are a story for a while and nothing else”

"Fame and popularity are a story for a while and nothing else"

Slowly, step by step, Jay Mammon was making his way down the middle, finding your place and loving yourself by the public. Apart from his ability to create atmosphere with the interviewers and his role as a musician, he seemed best suited to be involved as a host. Morphy’s Rock.

In this role, he will debut in the new season of Cycles starting Sunday, May 1, at 11am, on Telefe, along with Jessica Sirio, Chef Santiago Giorgini and Rodrigo Cascón, in addition to guest musicians.

The early death of the program’s creator and its first host, Gerardo Rozin, created a void that was difficult to fill. However, the profile of Jay, who after two successful years in the US mammonswent to Telefe (one of the hottest passes of the year), Fits perfectly to carry forward the legacy And, moreover, add your own identity.

Hail Mammon.  Ready to return to TV with "La Pea de Morphy" and responsibility to replace Gerardo Rozin.  visual;  Constance Niskovolos.

Hail Mammon. Ready to return to TV with “La Pea de Morphy” and responsibility to replace Gerardo Rozin. visual; Constance Niskovolos.

years of fulfillment

-The last two years, with the pandemic, you’ve been on screen first with the character of Astellita and then, as a host, and everybody wanted to go to your show. Now you begin with the added responsibility of occupying the historic site of Rozin, which is also loved by the public. How will you cope with this new phase?

-he’s shaking a lot, Truth. came close with another project, show me mam being assembled in parallel for primetime De Telef, weekly, but because of those things in life, for those reasons (a word I really like), something happened that naturally I think is very close to me because of music.

-The program had a very loyal audience, do you think it is waiting for the return of “La Pea …”?

– I feel so and I join as a spectator. Now after the pain of the loss of Gerardo, we have to be consistent, and Celebrate This Comeback in the “House of Music” as he defined it. This is a place that is good for us.

Surely Rozin wanted it for this space he built with such dedication and it’s not abundant on television, is it?

– Of course, therefore I say that I do not believe in coincidence, but in causation. I feel there is a common denominator between what I was doing mammons and what happens griefThere is much continuity of a special place to music, a place to stop the ball and hear us, meet us and celebrate the prospect of being with us during those five hours.

sentiment’s post

You had to take a very emotional post.

-For this reason, this team spirit, looking forward, is not in vain. There is no other way of construction, matching with the essence and warm climate that the program always had. I I join a team that is consolidated And that he received me very well. Nothing is forced. I am very grateful for that because they take me and go with me and people will see and feel the same way.

Hail Mammon.  With his rise in popularity, the host returns to television with "La Pea de Morphy".  Photo: Constanza Niskovolos.

Hail Mammon. With his rise in popularity, the host returns to television with “La Pea de Morphy”. Photo: Constanza Niskovolos.

Competitors in Martin Fierros

Another causality means following JE’s argument is that in the next installment of Martin Fierro (out May 15), Morphy’s Rock You mammons Take part in the list of the best concerts and compete. “With all the respect and love in the world, it makes me happy,” he says.

-Your television debut was on the music channel, on cable, and later on Telefe with “La Pelu”, more than ten years ago. You were making your way as an actor, composer and conductor, how do you see yourself in relation to those beginnings now? Have you honestly put it together or is it just done?

– There is a little of both. Professional growth came along with maturity. I think I was maturing things. I remember when I started at an event organized by Santiago del Moro on the music channel and I was off. And when he had the opportunity to go from cable to an air channel, he wanted to take me. I think it was slander, I went but I got scared.

-Were you feeling overwhelmed?

-little. I remember he told me: “Look, Juancito, once in a lifetime the train passes“. And I, completely immature, said or thought to him: I don’t know what I’m waiting for train, ship, plane I don’t know what I’m waiting for, And I went back to the wire. I asked the director of the channel if I could drive instead of Santiago. So this was the matter. I dared to lay my face on the cable, but not to turn it off on the open TV.

Hail Mammon.  A year with television (two shows), one theater premiere and one record to be released.  Photo: Constance Niskovolos.

Hail Mammon. A year with television (two shows), one theater premiere and one record to be released. Photo: Constance Niskovolos.

Each one has its own time and procedures.

Well, for that reason, I didn’t realize the slightest of it and decided to step back a little. I needed to go at my own pace to feel safe. And now life finds me crossing paths with Santiago on the same canal, both driving. I learned a lot from him and the other day we talked about it, with more clothes on top of him, obviously.

Will Estelita return?

-Your most famous character, Estelita, with her wild style, is she going to return at some point? Do you live with Jay who will be in La Pea on Sunday with no more than noon audience?

-May appear one day, yes. I know how to behave and she knows how to control herself. It was also an apprenticeship, huh. It has to do with being in the theater and being seen or prepped in people’s homes. And if you join the prep, from the screen, I can’t do anything, I have to ask permission.

It’s about different aspects of you and different moments too, isn’t it?

-definitely. For all of us came deconstruction and twelve years ago theater’s stellarity is not the same if I were to take her on stage now. Those are different references, but of course she always had a bit more range than the rest.

-How do you connect with popularity?

The most explosive year was the first year of the pandemic and I didn’t experience it that much on a day-to-day basis. But now I see it more. Always, I kind of understood the concept of fame and that didn’t change for me, It’s intense but for me it’s still a virtuality. I believe it more and more, how many more losses you are going through in life. Fame and popularity to me is a short story for a while and nothing more.

Is it difficult for you to keep your feet on the ground?

It really sounds like a hoax to me, but there are people who believe it and I don’t judge them because it’s too easy to believe, everything is ready for you to believe in it. But if you look at the totality of the matter, you find out that nobody has bought anything, far from it.

That too is maturity, part of growing up to know that, moreover, there can be ups and downs.

– completely and in that case the blow can be very strong. But whatever it is, it goes beyond that. I’m not telling you that I don’t enjoy it, but He also enjoyed when he did theater for the hat, Some may think that this is Chamuyo’s speech, but I, in fact, the only certainty that I have, and we all have, is the present. In short I try to be very aware of it.

Hail Mammon.  A step by step path between music, acting and driving.  Photo: Constance Niskovolos.

Hail Mammon. A step by step path between music, acting and driving. Photo: Constance Niskovolos.

Professionally you talked about maturity and growth. Personally, do you agree? How do you see yourself moving forward?

I am very, very calm. This is also a good time of maturity. , At least I can’t decide that. I wish I could control it but I can’t. Maybe there are people who believe they can control, but in my case I think reason doesn’t rule there. With so much energy at work, I don’t even have rest. but you never know.

Actor, Musician and Conductor

Meanwhile, she shares her daily life with her two cats, Lopez and Garcia. “I didn’t get to talk to them, they do their job, but they are like family,” he admits.

Actor, musician and conductor co-exist in you. Do you have any references to those activities that you identify with?

-The truth is no, I thank people like Santiago and I admire a lot as a George Ginzburg, for example. But I guess I have to forge my own path. Others will tell.

– As if that wasn’t enough, in addition to two shows on Telefe, you’re about to release an album and debut in a play.

Yes, it all came together. The discs are a couple of different covers. I recorded with Benito Cerati (we did pagan images, from the virus); With Pimpinella (one of his songs), with Palito Ortega, with Miranda, with Soledad Pastorutti, all very nice people, I really enjoyed it. The production is by Sony and the songs have been handpicked by me. The intention is to add to the wonder of crossing a song with an interpreter that has nothing to do with it.

The theater will take place at the end of May, with a one-man show written by Jay himself, directed by Max Otranto and produced by Gustavo Yankleevich. “It’s going to be a very busy year with TV, theater and disco. I have come from nothing, a month ago I was playing guitar at home and cats looked at me as if saying, are you leaving now? But I was already preparing myself for it.”

WD

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