Diego Alonso tells how he approaches marginality from fiction and from reality

Voluntary work carried out in neighborhoods and shantytowns throughout the previous yr, within the midst of the explosion of the pandemic, is what the second season of Be important. With the conduction of the actor Diego “Pollo” Alonso, the documentary sequence brings new episodes beginning this Sunday, August 15, from 6.30 pm, on Public Tv.

Among the many volunteers there are nuns, lay individuals, nurses, medical doctors, attorneys and younger individuals in restoration from addictions, amongst others who collaborate in neighborhood kitchens, parishes, restoration farms, neighborhood facilities, switch items for sufferers, well being facilities in neighborhoods standard and houses for grandparents, amongst others, at all times serving to these most in want.

“Last year the work increased due to the complications brought by the pandemic and the intention of this series is to give visibility to all those who do something for the other“, says Alonso to Clarion. “They are a huge group of poor people who help other poor people, without looking for anything in return,” he says. “Showing their work is a way of thanking them for what they do.”

Diego Alonso Presents The New Season Of &Quot;Being Essential&Quot;, On Public Tv

Diego Alonso presents the brand new season of “Being essential”, on Public TV

A plan for Sunday afternoons

Every of the 13 chapters that will likely be broadcast each Sunday was filmed in the true areas, with thought and script by Walter Peña, the content material recommendation of Father Pepe di Paola and the course of Nicolás Cuiñas.

Every broadcast will present a unique drawback, with specific tales, however that symbolize many extra individuals in related conditions, primarily with realities that the pandemic solely aggravated.

One piece of data that serves to exemplify the scenario is that of the three,5000 foodstuffs that had been delivered to a eating room, earlier than the pandemic, demand elevated a lot that they started to distribute 17,000. “That is poverty, once it shoots up like this, how do you bring it down? There are places where they don’t even have a stove“, says Alonso.

The actor remembers that it was fairly advanced to file these episodes throughout the previous yr. “I was in all very present the fear of dying And despite that, they still had to go out and cope. In fact, some are gone. “

After shedding his job final yr, the actor was devoted to writing. “Without a job, I started to think about what I was going to do and I went through all the production companies. Be essential, at first I said no, because I did not want to do a journalistic program, but when they told me that Father Pepe was there, I accepted right away“, assures Alonso.

This is something more testimonial, it shows the sensitivity and empathy of these people who are only thinking about the human, in your commitment to the other. So I feel it as a tribute, “he provides.

&Quot;Okupas&Quot;: Diego Alonso With Rodrigo De La Serna And Ariel Staltar.

“Okupas”: Diego Alonso with Rodrigo de la Serna and Ariel Staltar.

Then again, at this second, Alonso can also be again on the display with the re-release of Squats, the miniseries that was a hit 21 years in the past and now returned on Netflix, rating among the many most seen on the platform. Within the fiction directed by Bruno Stagnaro, Alonso shares a forged with Rodrigo de la Serna.

Diego performs El Pollo, a personality that made him highly regarded on the time. And who renamed it among the many public.

“We did not do it thinking about the leading role, or about the success it could have, not that moment or now. It happened like that,” says Alonso, who admits that, personally, he nonetheless hasn’t seen her once more.

“For a long time, people asked and asked that they would return to give Squats, and so much what they asked for that finally happened. I think that It is an achievement of the people who have re-released it“, says the actor who, he assures, at all times acquired affection from the general public for his work.

The validity of the fabric, in line with Alonso, has to do, above all, with the standard of the product. “If you think about what we just talked about poverty, there are things that have not changed”, He says.

“But, outside of that topic, the wonderful thing is that when you do something well, then it just goes its way. You don’t think about the future when you sign a contract. Now, the new generations can discover this story of a friendship that is the basis of the series. The rest is anecdotal, “he understands.