50 years in the past there was one of many biggest tragedies of Argentine cultural life: on October 10, 1971, 9 dancers from the Teatro Colón, amongst them the favored figures of Norma Fontenla and José Neglia who headed the solid, died in a silly and deadly airplane crash on the shores of the Río de la Plata.
They’d departed from the Aeroparque and They have been heading to Trelew as a part of a sequence of excursions sponsored by the mushy drink firm Pepsi. It’s assumed, fairly actually, that the airplane carried an excessive amount of weight in surroundings and decorations and that, confronted with the chance of a fall on account of an engine failure, the dancers rushed to the rear of the equipment inflicting a deadly imbalance.
The airplane instantly fell into the Río de la Plata. To affirm that the dying of those dancers was an irreparable loss for the Teatro Colón is a approach of claiming it that barely touches the true dimensions of that loss.
Neglia and Fontenla have been a part of the ballet that that October 10, ’71 was touring precariously to Trelew.
The earlier decade had represented an excellent interval for dance on the Colón: not solely due to the good international visits – the corporate of Maurice Béjart, Rudolf Nureyev as a visitor dancer of the Ballet, the good German trendy choreographer Dore Hoyer-, but in addition as a result of for the primary time the Ballet del Colón had its personal and full manufacturing of the arch-classical Swan lake.
It was created by the British choreographer Jack Carter (model remembered and longed for to this present day). The yr earlier than, 1962, Carter had additionally mounted an odd chamber piece known as The witch boy, wherein José Neglia performed a really shifting function.
Neglia & Fontenla, a high-flying couple
Neglia and Norma Fontenla fashioned an excellent scenic couple, however, past their specific weight, your complete group fashioned for these excursions within the inside of the nation constituted, as an entire, an excellent inventive embassy of the Ballet del Colón. A number of of those dancers, however, have been married to members of the official firm and had younger kids.
In order that the implications of the tragedy have been extended in time they usually affected the longer term lifetime of the Ballet. It have to be added that Hundreds and 1000’s of individuals handed by means of the Golden Room of the Colón Theater the place they have been veiled the our bodies of the dancers.
Three years earlier, in 1968, the Ballet del Colón had been invited to take part within the Sixth Worldwide Dance Pageant in Paris, which had the character of a contest and was sponsored by André Malraux, French Minister of Tradition. Neglia was the protagonist of two works: Usher and The witch boy, roles that he did in such a rare approach that the Colón Ballet received an award because of him.
The Parisian critics underlined his originality as a dancer, his character, his vehemence, his energy and his stage intelligence. José Neglia was awarded in Paris with the gold medal for the perfect dancer and Norma Fontenla was additionally acknowledged as the perfect dancer at the moment by the journal Opus.
On the sixth Paris Worldwide Dance Pageant, Neglia acquired the gold medal as the perfect dancer.
Fontenla already had an excellent worldwide tour and the identical yr of his dying, a couple of months earlier than, had been solid by Rudolf Nureyev because the protagonist of Nutcracker within the model created and carried out by Nureyev himself.
A couple of years in the past, on this newspaper, an interview with Sergio Neglia, son of José, additionally a dancer and director of his personal academy and ballet firm in Buffalo, United States.
Within the identify of the Father
That is how Sergio remembered his father: “I grew up within the Teatro Colón. My mom, Bambi Pérez, would breastfeed me after which go to rehearsal. However they did not count on me to be a dancer. My childhood vocation was to be a firefighter and my dad needed me to have a profession as a service provider marine“.
“I had no idea that my old man was a star of the Colón”, acknowledged Clarín Sergio Neglia, as dancer as his father.
And he closes: “I used to be seven years outdated when he died and I’ve very vivid reminiscences. My outdated man was a relaxed man: he went fishing, looking; we cooked collectively and painted at night time till my outdated girl screamed: ‘José, put that boy to mattress!’. However I had no concept it was a Columbus star; it was one other period, the idea of the primary dancer as an idol didn’t exist ”.
Reference from clarin